In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue." Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue," and when Jennie Livingston's film "Paris Is Burning" arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. "Paris Is Burning" documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, "Voguing and the Gay Balls of New York City" is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in Regnault's hundreds of amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera.
Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings to live in New York, where she lived for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including "Vanity Fair" and "The New York Times."

Spanning Cuban music from rumba to salsa, and graphic styles from socialist realist to geometric abstraction, this volume of Cuban record cover art traces a musical form in constant revolution.

The first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolution features hundreds of rarely seen vinyl records from the start of the Cuban Revolution at the beginning of the 1960s up until 1985, when Cuba’s Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia’s financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. The artwork here reflects both the cultural and musical depth of Cuba as well as the political influence of revolutionary communism.

Over the past century, Cuban music has produced a seemingly endless variety of styles―rumba, mambo, son, salsa―at a dizzyingly fast rate. Since the 1940s a steady stream of Cuban musicians has also made the migration to the US, sparking changes in North American musical forms: bandleader Machito set New York’s jazz and Latin scene on fire, and master drummer Chano Pozo’s entry into Dizzy Gillespie's group led to the birth of Latin jazz, to name just two.

After the Cuban Revolution in 1959, the new government closed American-owned nightclubs and consolidated the island’s recording industry under a state-run monopoly. Out of this new socialist agenda came new musical styles, including the Nueva Trova movement of left-wing songwriters. The 1980s saw more experimentation in modernist jazz, salsa and Afro-Cuban folkloric music.

Generously illustrated with hundreds of color images, Cuba: Music and Revolution presents the history of Cuban record cover art, including many examples previously unseen outside the island itself.

Research proves that belonging to a Twelve Step Fellowship group increases the chances of long-term recovery from addictions and is also helpful with treating compulsive behaviors and mental health disorders. Twelve Step Facilitation (TSF) is an evidence-based approach that together with active involvement in a Twelve Step group helps individuals succeed as they move from treatment into recovery. Listed on SAMHSA's National Registry of Evidence-based Programs and Practices (NREPP), the Twelve Step Facilitation program, which includes Twelve Step Facilitation Handbook, is an invaluable resource for understanding the effectiveness of the Twelve Steps and showing the importance of outcome-based treatment in modern health care. Beginning with a history of Project MATCH, this handbook introduces the scientific basis for TSF and goes on to highlight new research, describe the program's theoretical applications, and explain new features included in this second edition. Includes: Explanation of revised session topics Advice for common misconceptions about TSF Guidance on volunteer- and peer-led facilitation Recommendations for individual and group administration Applications for all substance use disorders and compulsive behavior

This book is a guide on how to begin, nurture and finish successful construction projects. Written for contractors, property owners and anyone involved in the construction process, the book is rich in illustrative stories and point-by-point advice. It also contains powerful interviews with noted mediators, customers and construction professionals.

It evolved out of years of working in the construction industry and learning to do just what is described. Contrary to widely held belief, it IS possible for construction projects to be successful for all concerned, and even fun

Building on basic principles of clarity, mutual respect and intentional collaboration, this book takes the reader on a surprising journey into the dynamics involved in any successful working relationship, told here through the field of construction. It delves into the power of intention, assumption and expectation, and the importance of a positive attitude for any project.

This book is hands-on, and it is not theory. It is proven practices and real-life stories.

Calypso, Voodoo, Sunshine, Communism, Reggae, Colonialism, The Slave Trade, Rum, Revolution, Industry and Tourism 100 years of the Caribbean image and identity is captured in this deluxe new hardback photography book. The image of the Caribbean is as much a creation of the outsider as it is the complex identity of its people a melting pot of races created out of the participants in the 400 year slave trade enforced Africans, indigenous Americans and their colonisers French, Spanish, German, Dutch, English. The identity of the Caribbean stands at this intersection of tourism, the detritus of the slave trade, colonialism and tropicality. The regions politics span a hot bed of ideas and radicalism from Castros Cuba, communist thorn in the side of North America, to the violent right-wing dictatorship of Haitis Papa Doc in the 1960s; from Manleys Jamaica in the 1970s to Eric Williams Trinidad in the 1960s. This book is a deluxe large format hardback book featuring 100s of fascinating and unique photographs that span one hundred years of Caribbean history, culture, industry and more as well as the subsequent diaspora of its people to America, England and elsewhere. The photographs show the many ways in which the region is portrayed from luscious and tropical backdrop of tourism and hedonism, to colonial outpost and revolutionary threat within North Americas own backyard.